On December 3, 1994, filmmaker Chris Kraus and her husband, the critic Sylvère Lotringer, have dinner with cultural theorist Dick Hebdige in Pasadena — an evening that triggers an obsession in Chris that she and Sylvère decide to turn into a collaborative art project: a torrent of unsent letters addressed to Dick. What begins as a conceptual experiment dissolves the boundary between art, desire, and the self.